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Die Ursprünge der Musik von Carl Stumpf (englisch) Hardcover-Buch-
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Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780199695737
- Book Title
- The Origins of Music
- ISBN
- 9780199695737
- Publication Year
- 2012
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Origins of Music
- Item Height
- 0.8in
- Item Length
- 9.5in
- Publisher
- Oxford University Press, Incorporated
- Item Width
- 6.5in
- Item Weight
- 20.8 Oz
- Number of Pages
- 282 Pages
Über dieses Produkt
Product Information
The Origins of Music was first published in German in 1911. In this text Carl Stumpf set out a path-breaking hypothesis on the earliest musical sounds in human culture. Alongside his research in such diverse fields as classical philosophy, acoustics, and mathematics, Stumpf became one of the most influential psychologists of the late 19th century. He was the founding father of Gestalt psychology, and collaborated with William James, Edmund Husserl, and Wolfgang Kohler.This book was the culmination of more than 25 years of empirical and theoretical research in the field of music. In the first part, Stumpf discusses the origin and forms of musical activities as well as various existing theories on the origin of music, including those of Darwin, Rousseau, Herder, and Spencer. In the second part of the book, he summarizes his works on the historical development of instruments and music, and studies a putatively global range of music from non-European cultures to demonstrate the psychological principles of tonal organization, as well as providing a range of cross-cultural musical transcriptions and analyses. This became a foundation document for comparative musicology, the elder sibling to modern Ethnomusicology, and the book provides access to the original recordings Stumpf used in this process.Available for the first time in the English language, The Origins of Music is a fascinating volume for all those with an interest in the history of psychology and music. It appears here in tandem with Self-Disclosure, Stumpf's autobiography of 1924, in which he outlines the rich life experiences behind his research career alongside his own explanation of his scientific and cultural legacy.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199695733
ISBN-13
9780199695737
eBay Product ID (ePID)
117306906
Product Key Features
Publication Name
Origins of Music
Format
Hardcover
Language
English
Publication Year
2012
Type
Textbook
Number of Pages
282 Pages
Dimensions
Item Length
9.5in
Item Height
0.8in
Item Width
6.5in
Item Weight
20.8 Oz
Additional Product Features
Lc Classification Number
Ml3800
Reviews
"Trippett's translation has brilliantly made use of the internet ... to make many of the recordings Stumpf references in this work available online ... Should David Trippett have only translated The Origins of Music, it would have yet been an invaluable contribution to the field. However, as editor and translator, he goes above and beyond by providing two essays prior to the book, and a new translation of Stumpf's autobiography ... These materials provide a valuable frame for The Origins of Music by supplying a helpful context within which to consider Stumpf's contributions. ... the translationofStumpf's The Origins of Music is a timely and valuable addition to our scholarly literature. ... ESCOM has done the field of music cognition a wonderful service in funding a new trans- lation of an important early work." --Music Perception, July 2013"... a valuable resource for researchers and scholars studying Stumpf or the history of psychology, cognitive science, music psychology, ethnomusicology and musicology. One of the most valuable aspects of this volume is something not included as part of the 1911 publication of Origins of Music. Trippett includes a collection of sound files for 20 of the 67 musical examples found in Part II ... These ... are a goldmine. They allow us to hear what Stumpf describes and they bring us an objective piece of different musical cultures from the turn of the twentieth century." --Psychomusicology: Music, Mind and Brain, August 2013"The translation under review represents a project richly worthy of Stumpf's contributions to the sciences of music, surely among them, ethnomusicology. David Trippett's translation effectively remains true to the German formulations, while producing a text that contemporary readers will find very readable (and at times quite delightful). The introductory essays, especially the one by Trippett, are very helpful. The inclusion of Stumpf's 1924 self-portrait ... brilliantly draws the reader closer to the author and his world. The Origins of Music published in this modern edition, would enrich any course in music history, music theory, cognitive musicology, and ethnomusicology." --Musicae Scientiae, September 2013"This is a new translation, from German into English, of Carl Stumpf's work The Origins of Music from 1911... Although the book is now 100 years old, it is enjoyable to read. The argument is logical and well-founded, and the text seems in many ways very modern... What fascinates most is that the book shows how one man's painstaking study of "The psychology of tone" and "The origins of music" formed the basis for two completely new fields of research: experimental psychology and ethnomusicology." --Journal of the Norwegian Medical Association, July 2013, '"[A] fine edition and translation, ... The Origins of Music renders Stumpf's work and the potential drawing-back together of our various sub-disciplines of musicology a great service-to anglophone scholar and student alike. ... Clearly much here resonates with concerns of ethnomusicology today; and the ethnomusicologist will savour the endnotes, many 'mini-essays' in their own right." 'Ethnomusicology Forum, This is a new translation, from German into English by Carl Stumpf's work The Origins of Music from 1911... Although the book is now 100 years old, it is enjoyable to read. The argument is logical and well-founded, and the text seems in many ways very modern... What fascinates most is that the book shows how one man's painstaking study of "The psychology of tone" and "The origins of music" formed the basis for two completely new fields of research: experimental psychology andethnomusicology., Trippett's translation has brilliantly made use of the internet ... to make many of the recordings Stumpf references in this work available online ... Should David Trippett have only translated The Origins of Music, it would have yet been an invaluable contribution to the field. However, as editor and translator, he goes above and beyond by providing two essays prior to the book, and a new translation of Stumpf's autobiography ... These materials provide a valuable frame for TheOrigins of Music by supplying a helpful context within which to consider Stumpf's contributions. ... the translationofStumpf's The Origins of Music is a timely and valuable addition to our scholarly literature. ... ESCOM has done the field of music cognition a wonderful service in funding a new trans-lation of an important early work., "Trippett's translation has brilliantly made use of the internet ... to make many of the recordings Stumpf references in this work available online ... Should David Trippett have only translated The Origins of Music, it would have yet been an invaluable contribution to the field. However, as editor and translator, he goes above and beyond by providing two essays prior to the book, and a new translation of Stumpf's autobiography ... These materials provide a valuable frame for The Origins of Music by supplying a helpful context within which to consider Stumpf's contributions. ... the translationofStumpf's The Origins of Music is a timely and valuable addition to our scholarly literature. ... ESCOM has done the field of music cognition a wonderful service in funding a new trans- lation of an important early work." --Music Perception, July 2013 "... a valuable resource for researchers and scholars studying Stumpf or the history of psychology, cognitive science, music psychology, ethnomusicology and musicology. One of the most valuable aspects of this volume is something not included as part of the 1911 publication of Origins of Music. Trippett includes a collection of sound files for 20 of the 67 musical examples found in Part II ... These ... are a goldmine. They allow us to hear what Stumpf describes and they bring us an objective piece of different musical cultures from the turn of the twentieth century." --Psychomusicology: Music, Mind and Brain, August 2013 "The translation under review represents a project richly worthy of Stumpf's contributions to the sciences of music, surely among them, ethnomusicology. David Trippett's translation effectively remains true to the German formulations, while producing a text that contemporary readers will find very readable (and at times quite delightful). The introductory essays, especially the one by Trippett, are very helpful. The inclusion of Stumpf's 1924 self-portrait ... brilliantly draws the reader closer to the author and his world. The Origins of Music published in this modern edition, would enrich any course in music history, music theory, cognitive musicology, and ethnomusicology." --Musicae Scientiae, September 2013 "This is a new translation, from German into English, of Carl Stumpf's work The Origins of Music from 1911... Although the book is now 100 years old, it is enjoyable to read. The argument is logical and well-founded, and the text seems in many ways very modern... What fascinates most is that the book shows how one man's painstaking study of "The psychology of tone" and "The origins of music" formed the basis for two completely new fields of research: experimental psychology and ethnomusicology." --Journal of the Norwegian Medical Association, July 2013, Trippett's translation has brilliantly made use of the internet ... to make many of the recordings Stumpf references in this work available online ... Should David Trippett have only translated The Origins of Music, it would have yet been an invaluable contribution to the field. However, as editor and translator, he goes above and beyond by providing two essays prior to the book, and a new translation of Stumpf's autobiography ... These materials provide a valuable frame for TheOrigins of Music by supplying a helpful context within which to consider Stumpf's contributions. ... the translationofStumpf's The Origins of Music is a timely and valuable addition to our scholarly literature. ... ESCOM has done the field of music cognition a wonderful service in funding a new trans-lation of an important early work.", The translation under review represents a project richly worthy of Stumpf's contributions to the sciences of music, surely among them, ethnomusicology. David Trippett's translation effectively remains true to the German formulations, while producing a text that contemporary readers will find very readable (and at times quite delightful). The introductory essays, especially the one by Trippett, are very helpful. The inclusion of Stumpf's 1924 self-portrait ... brilliantly draws thereader closer to the author and his world. The Origins of Music published in this modern edition, would enrich any course in music history, music theory, cognitive musicology, and ethnomusicology., Trippett's book transcends the role of a simple translation. This volume not only includes the first English translation of Stumpf's Origins it also includes informative notes by the editor, sound file examples, the inclusion of Stumpf's autobiographical A Self Portrait (1924), an extensive bibliography of Stumpf's publications, as well as two introductory essays. The book is a valuable resource for researchers and scholars studying Stumpf or the history of psychology, cognitivescience, music psychology, ethnomusicology and musicology. One of the most valuable aspects of this volume is something not included as part of the 1911 publication of Origins of Music. Trippett includes a collection of sound files for 20 of the 67 musical examples found in Part II...These...are agoldmine. They allow us to hear what Stumpf describes and they bring us an objective piece of different musical cultures from the turn of the twentieth century., This is a new translation, from German into English, of Carl Stumpf's work The Origins of Music from 1911... Although the book is now 100 years old, it is enjoyable to read. The argument is logical and well-founded, and the text seems in many ways very modern... What fascinates most is that the book shows how one man's painstaking study of "The psychology of tone" and "The origins of music" formed the basis for two completely new fields of research: experimental psychology andethnomusicology., Trippett's book transcends the role of a simple translation. This volume not only includes the first English translation of Stumpf's Origins it also includes informative notes by the editor, sound file examples, the inclusion of Stumpf's autobiographical A Self Portrait (1924), an extensive bibliography of Stumpf's publications, as well as two introductory essays. The book is a valuable resource for researchers and scholars studying Stumpf or the history of psychology, cognitivescience, music psychology, ethnomusicology and musicology. One of the most valuable aspects of this volume is something not included as part of the 1911 publication of Origins of Music. Trippett includes a collection of sound files for 20 of the 67 musical examples found in Part II ... These ... are agoldmine. They allow us to hear what Stumpf describes and they bring us an objective piece of different musical cultures from the turn of the twentieth century.
Table of Content
Carl Stumpf: Impulses Towards a Cognitive Theory of EvolutionCarl Stumpf: A Reluctant RevolutionaryPart One: Origin and Archetypes of Music Making1. Recent Theories2. Origin and Archetypes of Singing3. Primitive Instruments and their Influence4. Polyphony, Rhythm, Intoned Speech5. TrendsPart Two: Songs of Primitive PeoplesIllustrations of primitive InstrumentsSelf-Disclosure, Carl Stumpf: Impulses Towards a Cognitive Theory of Evolution, Helga de la Motte-HaberCarl Stumpf: A Reluctant Revolutionary, David TrippettPart One: Origin and Archetypes of Music Making1. Recent Theories2. Origin and Archetypes of Singing3. Primitive Instruments and their Influence4. Polyphony, Rhythm, Intoned Speech5. TrendsPart Two: Songs of Primitive PeoplesIllustrations of primitive InstrumentsSelf-Disclosure
Copyright Date
2012
Topic
Philosophy & Social Aspects, General, Cognitive Psychology & Cognition
Lccn
2012-939883
Dewey Decimal
781.1
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Psychology, Music
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