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Kognition auf dem Globus: Aufmerksamkeit und Erinnerung in Shakespeares Theater-
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Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Hardcover
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780230110854
- Publication Name
- Cognition in the Globe : Attention and Memory in Shakespeare's Theatre
- Item Length
- 8.5in
- Publisher
- Palgrave Macmillan
- Publication Year
- 2011
- Series
- Cognitive Studies in Literature and Performance Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6in
- Item Width
- 5.5in
- Item Weight
- 14.3 Oz
- Number of Pages
- Xv, 200 Pages
Über dieses Produkt
Product Information
Early modern playing companies performed up to six different plays a week and mounted new plays frequently. This book seeks to answer a seemingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences, it proposes that the cognitive work of theatre is distributed across body, brain, and world.
Product Identifiers
Publisher
Palgrave Macmillan
ISBN-10
0230110851
ISBN-13
9780230110854
eBay Product ID (ePID)
102804764
Product Key Features
Publication Name
Cognition in the Globe : Attention and Memory in Shakespeare's Theatre
Format
Hardcover
Language
English
Publication Year
2011
Series
Cognitive Studies in Literature and Performance Ser.
Type
Textbook
Number of Pages
Xv, 200 Pages
Dimensions
Item Length
8.5in
Item Height
0.6in
Item Width
5.5in
Item Weight
14.3 Oz
Additional Product Features
Number of Volumes
1 Vol.
Lc Classification Number
Pn1010-1551
Reviews
"Tribble has produced a remarkable book, one that is well written and compelling. The science she employs is well explained and absolutely integral to her project. In an interdisciplinary area where many scholars are still trying to figure out effective approaches and goals, Cognition in the Globe presents a successful model, demonstrating that such interdisciplinary work can be of profit to all its component disciplines." - Theatre Survey, "In this enthralling work, Tribble defends the view that much of human memory is made possible not only by the biological brain but also by the distributed webs of scaffolding structures with which we populate our worlds. Initiating a unique dialogue between the sciences of mind and the study of the early modern theatre, Tribble pursues her quest through a wealth of fascinating examples. Theatre, and the mind, may never look the same again."-Andy Clark, Professor of Logic and Metaphysics, University of Edinburgh; author of Supersizing the Mind: Embodiment, Action, and Cognitive Extension "The most important book to be published on the performance practices of early modern adult playing companies in England since Bernard Beckerman's Shakespeare at the Globe in 1962 . Tribble tackles the complex skills required by a professional company that mounts several dozen plays in a season, incorporating apprentices as well as one-day hires, moving to different stages, and fitting new scripts by a variety of playwrights to their company personnel. Focusing on the mnemonic load of such a craft, Tribble finds distributed cognition to be the player's most valuable aid."-Roslyn L. Knutson, Professor of English, Emerita, University of Arkansas - Little Rock "If you think cognitive psychology concerns only what goes on in individual heads, think again. Cognition in the Globe takes account of space, time, physical objects, and (most importantly) what is going on in other people's heads. The result is a startlingly fresh take on how Shakespeare and his fellows managed to put on six different plays a week, all the while adding new plays to their repertory."-Bruce R. Smith, Dean's Professor of English, University of Southern California, "Tribble has produced a remarkable book, one that is well written and compelling. The science she employs is well explained and absolutely integral to her project. In an interdisciplinary area where many scholars are still trying to figure out effective approaches and goals, Cognition in the Globe presents a successful model, demonstrating that such interdisciplinary work can be of profit to all its component disciplines." - Theatre Survey "In this enthralling work, Tribble defends the view that much of human memory is made possible not only by the biological brain but also by the distributed webs of scaffolding structures with which we populate our worlds. Initiating a unique dialogue between the sciences of mind and the study of the early modern theatre, Tribble pursues her quest through a wealth of fascinating examples. Theatre, and the mind, may never look the same again." - Andy Clark, Professor of Logic and Metaphysics, University of Edinburgh, Scotland, and author of Supersizing the Mind: Embodiment, Action, and Cognitive Extension "The most important book to be published on the performance practices of early modern adult playing companies in England since Bernard Beckerman's Shakespeare at the Globe in 1962 . Tribble tackles the complex skills required by a professional company that mounts several dozen plays in a season, incorporating apprentices as well as one-day hires, moving to different stages, and fitting new scripts by a variety of playwrights to their company personnel. Focusing on the mnemonic load of such a craft, Tribble finds distributed cognition to be the player's most valuable aid." - Roslyn L. Knutson, Professor of English, Emerita, University of Arkansas - Little Rock, USA "If you think cognitive psychology concerns only what goes on in individual heads, think again. Cognition in the Globe takes account of space, time, physical objects, and (most importantly) what is going on in other people's heads. The result is a startlingly fresh take on how Shakespeare and his fellows managed to put on six different plays a week, all the while adding new plays to their repertory." - Bruce R. Smith, Dean's Professor of English, University of Southern California, USA
Table of Content
Introduction The Stuff of Memory Action and Accent: Voice, Gesture, Body, and Mind Social Cognition: Enskillment in the Early Modern Theatre Conclusion: Towards a Model of Cognitive Ecology
Copyright Date
2011
Topic
Theater / General, Theater / History & Criticism, Poetry, Modern / General, Acting & Auditioning
Lccn
2010-041243
Dewey Decimal
792.0942/09031
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Literary Criticism, Performing Arts
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