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GRIMM ""DEAR MILI"" 1988 1. ED HC/DJ NF/VG MAURICE SENDAK FARBILLUSTRATIONEN

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Standort: Weston, Connecticut, USA
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Zuletzt aktualisiert am 20. Mai. 2022 11:52:53 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Ex Libris
No
Narrative Type
Fiction
Country/Region of Manufacture
United States
Inscribed
No
Features
1st Edition, Dust Jacket, Illustrated
Personalized
No
Intended Audience
Ages 4-8
Signed
No
ISBN
9780374317621
Book Title
Dear Mili
Item Length
9.4in
Publisher
Farrar, Straus & Giroux
Publication Year
1988
Format
Hardcover
Language
English
Item Height
0.4in
Author
Wilhelm K. Grimm
Genre
Juvenile Fiction
Topic
Fairy Tales & Folklore / General, General, Girls & Women
Item Width
10.1in
Item Weight
17.3 Oz
Number of Pages
40 Pages

Über dieses Produkt

Product Information

A New York Times bestseller, this long-lost Grimm fairy tale illustrated by Maurice Sendak is available again

Product Identifiers

Publisher
Farrar, Straus & Giroux
ISBN-10
0374317623
ISBN-13
9780374317621
eBay Product ID (ePID)
28669

Product Key Features

Book Title
Dear Mili
Author
Wilhelm K. Grimm
Format
Hardcover
Language
English
Topic
Fairy Tales & Folklore / General, General, Girls & Women
Publication Year
1988
Genre
Juvenile Fiction
Number of Pages
40 Pages

Dimensions

Item Length
9.4in
Item Height
0.4in
Item Width
10.1in
Item Weight
17.3 Oz

Additional Product Features

Lc Classification Number
Pz8.G883de 1988
Grade from
Kindergarten
Grade to
Second Grade
Reviews
In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there., Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision., "Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power."  - P ublishers Weekly   " Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision."   -John Gross, The New York Times   "In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there."    - The New York Times, "Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power." -- Publishers Weekly " Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision." -- John Gross, The New York Times "In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there." -- The New York Times, "Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power."  - P ublishers Weekly  " Dear Mili is among Mr. Sendak's finest creations. If one hesitates to call him the foremost illustrator in contemporary America, or the most accomplished draftsman, it is only because those terms set too narrow a limit on the nature of his achievement. He is an artist, nothing less; an artist with a powerful vision."   -John Gross, The New York Times  "In the Sendak world, stories unfold like dreams, where images connect emotionally and serendipitously, not by the logic imposed by grown-ups when they are awake. In much of his work, beauty and sorrow walk hand in hand . . . [Sendak's work gives] children the power to conquer through art and ingenuity, reminding parents of the complicated responsibility that requires them to be hopeful but realistic about the terrible wild things out there."    - The New York Times, Emotionally compelling . . . A variation on the themes of loss, separation and love . . . Sendak infuses it with images that are both nonsectarian and universal. Trees and roots in the valley of death become grasping, whitened bones scattered beneath an outline reminiscent of buildings at Auschwitz. The images are rich: dark clouds of war are etched with claws of yellow fire, and paradise is filled not only with music, but with lush flowers that burst, like those of Van Gogh or O'Keeffe, with passionate life . . . Contains unforgettable artwork of resonant power.
Illustrated by
Sendak, Maurice
Lccn
88-081294
Intended Audience
Juvenile Audience
Illustrated
Yes

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