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eBay-Artikelnr.:395143049895
Artikelmerkmale
- Artikelzustand
- PublishedOn
- 2006-09-20
- Title
- Genre Gender Race World Cinema
- ISBN
- 9781405132336
- Subject Area
- Psychology, Performing Arts
- Publication Name
- Genre, Gender, Race and World Cinema : an Anthology
- Item Length
- 9.6 in
- Publisher
- Wiley & Sons, Incorporated, John
- Subject
- Film / General, General, Film / History & Criticism
- Publication Year
- 2006
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.1 in
- Item Width
- 6.7 in
- Item Weight
- 29.5 Oz
- Number of Pages
- 496 Pages
Über dieses Produkt
Product Information
A major anthology geared towards course use, which covers key concepts in film studies through analysis of important films from American, Asian, European and African cinema.
Product Identifiers
Publisher
Wiley & Sons, Incorporated, John
ISBN-10
1405132337
ISBN-13
9781405132336
eBay Product ID (ePID)
53735065
Product Key Features
Publication Name
Genre, Gender, Race and World Cinema : an Anthology
Format
Trade Paperback
Language
English
Subject
Film / General, General, Film / History & Criticism
Publication Year
2006
Type
Textbook
Subject Area
Psychology, Performing Arts
Number of Pages
496 Pages
Dimensions
Item Length
9.6 in
Item Height
1.1 in
Item Width
6.7 in
Item Weight
29.5 Oz
Additional Product Features
LCCN
2006-014907
Intended Audience
Scholarly & Professional
Lc Classification Number
Pn1995.9.S6g39 2007
Reviews
"This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day. " - E. Ann Kaplan, State University of New York at Stony Brook"A superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." - Daniel Bernardi, Arizona State University, "Julie Codell's anthology does not so much as carve out a niche in film studies as dive in and out of several pre-existing niches, helping itself en route to anything that looks bright and attractive. The result is a collection that overlaps the territory of various recent publications... while forging links and mapping interconnections between its prime concerns... Altogether, this collection should encourage students to explore areas of cinema beyond the conventional English-language mainstream, enriching their viewing experience and offering insights and wider cultural contexts for the films they watch." The Times Higher Education SupplementAn invaluable resource that should (and will) be used by anyone interested in studying, or otherwise thinking about cinema." M/C Reviews"This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day." E. Ann Kaplan, State University of New York at Stony BrookA superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." Daniel Bernardi, Arizona State University, "This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day. " E. Ann Kaplan, State University of New York at Stony Brook "A superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." Daniel Bernardi, Arizona State University, "Julie Codell's anthology does not so much as carve out a niche in film studies as dive in and out of several pre-existing niches, helping itself en route to anything that looks bright and attractive. the result is a collection that overlaps the territory of various recent publications... while forging links and mapping interconnections between its prime concerns... Altogether, this collection should encourage students to explore areas of cinema beyond the conventional English-language mainstream, enriching their viewing experience and offering insights and wider cultural contexts for the films they watch." the Times Higher Education Supplement "An invaluable resource that should (and will) be used by anyone interested in studying, or otherwise thinking about cinema." M/C Reviews "This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day." E. Ann Kaplan, State University of New York at Stony Brook "A superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." Daniel Bernardi, Arizona State University, & "Julie Codell & 's anthology does not so much as carve out a niche in film studies as dive in and out of several pre-existing niches, helping itself en route to anything that looks bright and attractive. The result is a collection that overlaps the territory of various recent publications & … while forging links and mapping interconnections between its prime concerns & … Altogether, this collection should encourage students to explore areas of cinema beyond the conventional English-language mainstream, enriching their viewing experience and offering insights and wider cultural contexts for the films they watch. & " The Times Higher Education Supplement"An invaluable resource that should (and will) be used by anyone interested in studying, or otherwise thinking about cinema." M/C Reviews& "This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day. & " E. Ann Kaplan, State University of New York at Stony Brook"A superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." Daniel Bernardi, Arizona State University, "An invaluable resource that should (and will) be used by anyone interested in studying, or otherwise thinking about cinema." M/C Reviews "Julie Codell's anthology does not so much as carve out a niche in film studies as dive in and out of several pre-existing niches, helping itself en route to anything that looks bright and attractive. The result is a collection that overlaps the territory of various recent publications... while forging links and mapping interconnections between its prime concerns... Altogether, this collection should encourage students to explore areas of cinema beyond the conventional English-language mainstream, enriching their viewing experience and offering insights and wider cultural contexts for the films they watch." The Times Higher Education Supplement "This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day." E. Ann Kaplan, State University of New York at Stony Brook "A superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." Daniel Bernardi, Arizona State University, & "Julie Codell's anthology does not so much as carve out a niche in film studies as dive in and out of several pre-existing niches, helping itself en route to anything that looks bright and attractive. The result is a collection that overlaps the territory of various recent publications... while forging links and mapping interconnections between its prime concerns... Altogether, this collection should encourage students to explore areas of cinema beyond the conventional English-language mainstream, enriching their viewing experience and offering insights and wider cultural contexts for the films they watch." The Times Higher Education Supplement"An invaluable resource that should (and will) be used by anyone interested in studying, or otherwise thinking about cinema." M/C Reviews& "This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day." E. Ann Kaplan, State University of New York at Stony Brook"A superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." Daniel Bernardi, Arizona State University
Table of Content
Preface viii General Introduction: Film and Identities 1 Part I Genres: Ever-Changing Hybrids 5 Part II Genders - More Than Two 117 Part III Race: Stereotypes and Multiple Realisms 213 Part IV World Cinema: Joining Local and Global 359 Acknowledgments 471
Copyright Date
2007
Dewey Decimal
792.028
Dewey Edition
22
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