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Victorian Afterlives: The Shaping of Influence in Nineteenth-Cen
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eBay-Artikelnr.:394895368301
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780199269310
- EAN
- 9780199269310
- Subject Area
- Psychology, Literary Criticism, History
- Publication Name
- Victorian Afterlives : the Shaping of Influence in Nineteenth-Century Literature
- Item Length
- 8.5 in
- Publisher
- Oxford University Press, Incorporated
- Subject
- General, Europe / Great Britain / General, European / English, Irish, Scottish, Welsh
- Publication Year
- 2004
- Type
- Textbook
- Format
- Uk-Trade Paper
- Language
- English
- Item Height
- 0.8 in
- Item Width
- 5.4 in
- Item Weight
- 14.1 Oz
- Number of Pages
- 384 Pages
Über dieses Produkt
Product Information
This major study examines a Victorian obsession with 'influence', the often unpredictable after-effects of words and actions, in fields as diverse as mesmerism and theology, literary theory, and sanitation reform. For writers such as Tennyson, FitzGerald, and Dickens, the idea is both a theoretical and a practical problem. Survival is not only what their writing critically examines, but also what it sets out to achieve.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199269319
ISBN-13
9780199269310
eBay Product ID (ePID)
30210596
Product Key Features
Publication Name
Victorian Afterlives : the Shaping of Influence in Nineteenth-Century Literature
Format
Uk-Trade Paper
Language
English
Subject
General, Europe / Great Britain / General, European / English, Irish, Scottish, Welsh
Publication Year
2004
Type
Textbook
Subject Area
Psychology, Literary Criticism, History
Number of Pages
384 Pages
Dimensions
Item Length
8.5 in
Item Height
0.8 in
Item Width
5.4 in
Item Weight
14.1 Oz
Additional Product Features
Intended Audience
Scholarly & Professional
LeafCats
378
Lc Classification Number
Pr468.I53d68 2004
Reviews
'Review from hardback edition... neatly phrased, incisive commentary is a precious feature of this book: its strength lies in such observations, in the author's highly-trained discrimination as a close reader of words.'Dickens Quarterly'Review from hardback editionIt is perhaps the most remarkable achievement of Victorian Afterlives that this book, whose subject seems at first so uncertain, so forced, so peculiar to itself, should emerge as a significant combination of subjects previously known.'MODERNISM/modernity'Review from previous edition This book is one of the most impressive critical analyses of nineteenth-century literary culture that I have read in a long time. A closely written and argued discussion of theories of literary influence in a nineteenth-century context, it ranges widely and makes always interesting and sometimes brilliant connections . . . This is a major work of Victorian literary criticism, and a book to be read over and over again for itsmyriad insights and felicities.'Tennyson Research Bulletin'Close readings unravel the manner in which "dead" voices haunt Tennyson's poetry, and the author is uncommonly sharp-eared for nuance.'Scotland on Sunday'Ambitious, delightful, frustrating, wide-ranging, often beautifully written . . . Its sheer range sets it apart from the usual academic monograph . . . refreshingly free of jargon.'Angela Leighton, Times Literary Supplement'One of the enjoyable features of Douglas-Fairhurst's writing is its commitment to close reading. He can make a word or line come alive by a turn of phrase which resonantly prolongs its momentum.'Angela Leighton, Times Literary Supplement''Douglas-Fairhurst's excellent ear for the influential voices in the Victorian air is . . extraordinarily impressive in its demonstration of an ambitiously capacious conception of influence . . . the range of reference and allusion in the book is dizzying, . . . and the evocation of these echoing voices provides an extraordinary resonance to his discussions, especially, of Dickens' Great Expectation, Tennyson's "sympathy", and Edward FitzGerald's nostalgicsavouring of the afterlives of friends and texts in memory.''Victorian Poetry, 'Close readings unravel the manner in which 'dead' voices haunt Tennyson's poetry, and the author is uncommonly sharp-eared for nuance.'Scotland on Sunday, 'Review from hardback editionIt is perhaps the most remarkable achievement of Victorian Afterlives that thisbook, whose subject seems at first so uncertain, so forced, so peculiar toitself, should emerge as a significant combination of subjects previouslyknown.'MODERNISM/modernity, 'Close readings unravel the manner in which "dead" voices haunt Tennyson'spoetry, and the author is uncommonly sharp-eared for nuance.'Scotland on Sunday, 'One of the enjoyable features of Douglas-Fairhurst's writing is itscommitment to close reading. He can make a word or line come alive by a turn ofphrase which resonantly prolongs its momentum.'Angela Leighton, Times Literary Supplement, "Ambitious, delightful.... Its sheer range sets it apart from the usual academic monograph.... Refreshingly free of jargon."-- Times Literary Supplement "An intriguing study--ambitious in its scope and sceptical in its approach.... The book's openness to a large number of areas of interest and discourse is what makes it so interesting and so original."-- Essays in Criticism, 'Review from previous edition This book is one of the most impressivecritical analyses of nineteenth-century literary culture that I have read in along time. A closely written and argued discussion of theories of literaryinfluence in a nineteenth-century context, it ranges widely and makes alwaysinteresting and sometimes brilliant connections . . . This is a major work ofVictorian literary criticism, and a book to be read over and over again for itsmyriad insights and felicities.'Tennyson Research Bulletin, "Ambitious, delightful.... Its sheer range sets it apart from the usual academic monograph.... Refreshingly free of jargon."--Times Literary Supplement "An intriguing study--ambitious in its scope and sceptical in its approach.... The book's openness to a large number of areas of interest and discourse is what makes it so interesting and so original."--Essays in Criticism, 'Ambitious, delightful, frustrating, wide-ranging, often beautifullywritten . . . Its sheer range sets it apart from the usual academic monograph .. . refreshingly free of jargon.'Angela Leighton, Times Literary Supplement, 'Ambitious, delightful, frustrating, wide-ranging, often beautifully written ... Its sheer range sets it apart from the usual academic monograph ... refreshingly free of jargon.'Angela Leighton, Times Literary Supplement, 'Close readings unravel the manner in which "dead" voices haunt Tennyson's poetry, and the author is uncommonly sharp-eared for nuance.'Scotland on Sunday, 'Review from previous edition This book is one of the most impressive critical analyses of nineteenth-century literary culture that I have read in a long time. A closely written and argued discussion of theories of literary influence in a nineteenth-century context, it ranges widely and makesalways interesting and sometimes brilliant connections . . . This is a major work of Victorian literary criticism, and a book to be read over and over again for its myriad insights and felicities.'Tennyson Research Bulletin, 'Review from hardback edition... neatly phrased, incisive commentary is a precious feature of this book: its strength lies in such observations, in the author's highly-trained discrimination as a close reader of words.'Dickens Quarterly, "Ambitious, delightful.... Its sheer range sets it apart from the usual academic monograph.... Refreshingly free of jargon."--Times Literary Supplement"An intriguing study--ambitious in its scope and sceptical in its approach.... The book's openness to a large number of areas of interest and discourse is what makes it so interesting and so original."--Essays in Criticism, ''Douglas-Fairhurst's excellent ear for the influential voices in the Victorian air is . . extraordinarily impressive in its demonstration of an ambitiously capacious conception of influence . . . the range of reference and allusion in the book is dizzying, . . . and the evocation of theseechoing voices provides an extraordinary resonance to his discussions, especially, of Dickens' Great Expectation, Tennyson's "sympathy", and Edward FitzGerald's nostalgic savouring of the afterlives of friends and texts in memory.''Victorian Poetry, 'Review from hardback editionIt is perhaps the most remarkable achievement of Victorian Afterlives that this book, whose subject seems at first so uncertain, so forced, so peculiar to itself, should emerge as a significant combination of subjects previously known.'MODERNISM/modernity, 'One of the enjoyable features of Douglas-Fairhurst's writing is its commitment to close reading. He can make a word or line come alive by a turn of phrase which resonantly prolongs its momentum.'Angela Leighton, Times Literary Supplement, ''Douglas-Fairhurst's excellent ear for the influential voices in theVictorian air is . . extraordinarily impressive in its demonstration of anambitiously capacious conception of influence . . . the range of reference andallusion in the book is dizzying, . . . and the evocation of these echoingvoices provides an extraordinary resonance to his discussions, especially, ofDickens' Great Expectation, Tennyson's "sympathy", and Edward FitzGerald'snostalgic savouring of the afterlives of friends and texts in memory.''Victorian Poetry, 'Ambitious, delightful, frustrating, wide-ranging, often beautifully written . . . Its sheer range sets it apart from the usual academic monograph . . . refreshingly free of jargon.'Angela Leighton, Times Literary Supplement
Table of Content
AbbreviationsIntroduction1. Forms of Survival2. Voices in the Air3. Tennyson's Sympathy4. Edward FitzGerald: Under the InfluenceAfterwordBibliographyIndex
Copyright Date
2004
Dewey Decimal
820.9/353
Dewey Edition
21
Illustrated
Yes
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