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Wahlrecht und Kunst: Visuelle Kultur, Politik und Unternehmen von Miranda Garret-
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Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781350128675
- Book Title
- Suffrage and the Arts
- ISBN
- 9781350128675
- Publication Year
- 2020
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Suffrage and the Arts : Visual Culture, Politics and Enterprise
- Item Height
- 0.5in
- Item Length
- 9.3in
- Publisher
- Bloomsbury Publishing
- Item Width
- 6.2in
- Item Weight
- 20.4 Oz
- Number of Pages
- 320 Pages
Über dieses Produkt
Product Information
Suffrage and the Arts re-establishes the central role that artistic women and men-from jewellers, portrait painters, embroiderers, through to retailers of 'artistic' products-played in the suffrage campaign in the British Isles. As political individuals, they were foot soldiers who helped sustain the momentum of the movement and as designers, makers and sellers they spread the message of the campaign to new local, national and international audiences, mediating how suffrage activism was understood by society at large. This edited collection offers a range of new perspectives and readings of the outpouring of creative responses to the campaign. Contributors, who include historians, art historians, curators, museum professionals and suffrage experts, call upon the historiographical developments of the last thirty years, alongside new archival discoveries, to showcase the vibrancy of ongoing research in this area. Throughout, chapters investigate the wider socio-cultural backdrop to suffrage and the women's movement, the difficult choices that were made between professional, artistic aspirations and political commitment, and how institutional and informal networks influenced creative expression and participation in feminist politics. From shining light on the use of portraiture to bolster the cultural cachet of the militant Women's Social and Political Union, uncovering the links between Victorian interior design, enterprise and suffrage, through to questioning the supposed conservativism of women's art institutions during the campaign and in the inter-war era, Suffrage and the Arts is a timely and important collection which will contribute to a number of scholarly fields.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1350128678
ISBN-13
9781350128675
eBay Product ID (ePID)
25038661314
Product Key Features
Publication Name
Suffrage and the Arts : Visual Culture, Politics and Enterprise
Format
Trade Paperback
Language
English
Publication Year
2020
Type
Textbook
Number of Pages
320 Pages
Dimensions
Item Length
9.3in
Item Height
0.5in
Item Width
6.2in
Item Weight
20.4 Oz
Additional Product Features
Lc Classification Number
Jn979
Reviews
I thoroughly enjoyed this book, which has been beautifully produced. In a series of engaging chapters the authors contribute significantly to our knowledge about the suffrage movement covering aspects of the campaign that have been often overlooked. It also gives a voice to the many women artists who are often lost in political histories or histories on women's art., [The book's] careful curation presents an insightful study of the multiform ways in which art and politics intersected in the suffrage campaign, both harmoniously and problematically, giving a holistic and rounded impression of the intricate landscape that suffrage artists had to navigate. Furthermore, after celebrating the centenary of the Representation of the People Act last year, it once again places art and artists at the centre of a reinvigorated scholarship on British women and politics in the late 19th and early 20th centuries., This collection transforms our understanding of artistic contributions to the women's suffrage campaign by detailing the experiences of artists, consumers, campaigners and propagandists. A genuinely pioneering work, it illuminates how women balanced their professional lives as artists with their feminist activism, as well as bringing to life the variety of visual culture designed and made during this period across Britain and Ireland. This innovative and timely collection should find a wide and appreciative audience., A fascinating collection of engaging and informative essays that extend our knowledge about the centrality of the arts to the women's suffrage movement., "This insightful edited collection extends and enhances our understanding of the relationships between artistic endeavour, commercial enterprise and political activism ... An invaluable contribution to understandings of visual and material culture and art and business history, as well as to suffrage and women's studies." -- History Today "I thoroughly enjoyed this book, which has been beautifully produced. In a series of engaging chapters the authors contribute significantly to our knowledge about the suffrage movement covering aspects of the campaign that have been often overlooked. It also gives a voice to the many women artists who are often lost in political histories or histories on women's art." -- Women's History Review "[The book's] careful curation presents an insightful study of the multiform ways in which art and politics intersected in the suffrage campaign, both harmoniously and problematically, giving a holistic and rounded impression of the intricate landscape that suffrage artists had to navigate. Furthermore, after celebrating the centenary of the Representation of the People Act last year, it once again places art and artists at the centre of a reinvigorated scholarship on British women and politics in the late 19th and early 20th centuries." -- Twentieth Century British History "A fascinating collection of engaging and informative essays that extend our knowledge about the centrality of the arts to the women's suffrage movement." -- June Purvis, Emerita Professor of Women's and Gender History at the University of Portsmouth, UK "This collection transforms our understanding of artistic contributions to the women's suffrage campaign by detailing the experiences of artists, consumers, campaigners and propagandists. A genuinely pioneering work, it illuminates how women balanced their professional lives as artists with their feminist activism, as well as bringing to life the variety of visual culture designed and made during this period across Britain and Ireland. This innovative and timely collection should find a wide and appreciative audience." -- Senia Paseta, Professor of Modern History at St Hugh's College, University of Oxford, UK, I thoroughly enjoyed this book, which has been beautifully produced. In a series of engaging chapters the authors contribute signi?cantly to our knowledge about the su?rage movement covering aspects of the campaign that have been often overlooked. It also gives a voice to the many women artists who are often lost in political histories or histories on women's art., "The wide range of topics covered within Suffrage and the Arts makes for an interesting collection that has something for anyone interested in learning more about this important historical era." - Technical Communication "This insightful edited collection extends and enhances our understanding of the relationships between artistic endeavour, commercial enterprise and political activism ... An invaluable contribution to understandings of visual and material culture and art and business history, as well as to suffrage and women's studies." -- History Today "I thoroughly enjoyed this book, which has been beautifully produced. In a series of engaging chapters the authors contribute significantly to our knowledge about the suffrage movement covering aspects of the campaign that have been often overlooked. It also gives a voice to the many women artists who are often lost in political histories or histories on women's art." -- Women's History Review "[The book's] careful curation presents an insightful study of the multiform ways in which art and politics intersected in the suffrage campaign, both harmoniously and problematically, giving a holistic and rounded impression of the intricate landscape that suffrage artists had to navigate. Furthermore, after celebrating the centenary of the Representation of the People Act last year, it once again places art and artists at the centre of a reinvigorated scholarship on British women and politics in the late 19th and early 20th centuries." -- Twentieth Century British History "A fascinating collection of engaging and informative essays that extend our knowledge about the centrality of the arts to the women's suffrage movement." -- June Purvis, Emerita Professor of Women's and Gender History at the University of Portsmouth, UK "This collection transforms our understanding of artistic contributions to the women's suffrage campaign by detailing the experiences of artists, consumers, campaigners and propagandists. A genuinely pioneering work, it illuminates how women balanced their professional lives as artists with their feminist activism, as well as bringing to life the variety of visual culture designed and made during this period across Britain and Ireland. This innovative and timely collection should find a wide and appreciative audience." -- Senia Paseta, Professor of Modern History at St Hugh's College, University of Oxford, UK, This insightful edited collection extends and enhances our understanding of the relationships between artistic endeavour, commercial enterprise and political activism ... An invaluable contribution to understandings of visual and material culture and art and business history, as well as to suffrage and women's studies., "This insightful edited collection extends and enhances our understanding of the relationships between artistic endeavour, commercial enterprise and political activism ... An invaluable contribution to understandings of visual and material culture and art and business history, as well as to suffrage and women's studies." -- History Today "A fascinating collection of engaging and informative essays that extend our knowledge about the centrality of the arts to the women's suffrage movement." -- June Purvis, Emerita Professor of Women's and Gender History at the University of Portsmouth, UK "This collection transforms our understanding of artistic contributions to the women's suffrage campaign by detailing the experiences of artists, consumers, campaigners and propagandists. A genuinely pioneering work, it illuminates how women balanced their professional lives as artists with their feminist activism, as well as bringing to life the variety of visual culture designed and made during this period across Britain and Ireland. This innovative and timely collection should find a wide and appreciative audience." -- Senia Paseta, Professor of Modern History at St Hugh's College, University of Oxford, UK, "This insightful edited collection extends and enhances our understanding of the relationships between artistic endeavour, commercial enterprise and political activism ... An invaluable contribution to understandings of visual and material culture and art and business history, as well as to suffrage and women's studies." -- History Today "I thoroughly enjoyed this book, which has been beautifully produced. In a series of engaging chapters the authors contribute signi?cantly to our knowledge about the su?rage movement covering aspects of the campaign that have been often overlooked. It also gives a voice to the many women artists who are often lost in political histories or histories on women's art." -- Women's History Review "[The book's] careful curation presents an insightful study of the multiform ways in which art and politics intersected in the suffrage campaign, both harmoniously and problematically, giving a holistic and rounded impression of the intricate landscape that suffrage artists had to navigate. Furthermore, after celebrating the centenary of the Representation of the People Act last year, it once again places art and artists at the centre of a reinvigorated scholarship on British women and politics in the late 19th and early 20th centuries." -- Twentieth Century British History "A fascinating collection of engaging and informative essays that extend our knowledge about the centrality of the arts to the women's suffrage movement." -- June Purvis, Emerita Professor of Women's and Gender History at the University of Portsmouth, UK "This collection transforms our understanding of artistic contributions to the women's suffrage campaign by detailing the experiences of artists, consumers, campaigners and propagandists. A genuinely pioneering work, it illuminates how women balanced their professional lives as artists with their feminist activism, as well as bringing to life the variety of visual culture designed and made during this period across Britain and Ireland. This innovative and timely collection should find a wide and appreciative audience." -- Senia Paseta, Professor of Modern History at St Hugh's College, University of Oxford, UK
Table of Content
List of IllustrationsAcknowledgementsForeword by Jane Beckett and Deborah CherryIntroduction by Miranda Garrett and Zoë Thomas Part One: Institutional politics Chapter One: Zoë Thomas, 'I loathe the thought of suffrage sex wars being brought into it': Institutional conservatism in early twentieth-century women's art organizations Chapter Two: Liz Arthur, The artistic, social and suffrage networks of Glasgow School of Art's women artists and designers Chapter Three: Tara Morton, 'An Arts and Crafts society, working for the enfranchisement of women': Unpicking the political threads of the Suffrage Atelier, 1909-1914 Part Two: Enterprise and Marketing Chapter Four: Miranda Garrett, Window smashing and window draping: Suffrage and interior design Chapter Five: Elizabeth Crawford, 'Our readers are careful buyers': Creating goods for the suffrage market Chapter Six: Kenneth Florey, English suffrage badges and the marketing of the campaign Part Three: Paintings on display Chapter Seven: Rosie Broadley, Painting suffragettes: Portraits and the militant movement Chapter Eight: Krista Cowman, Suffrage attacks on art, 1913-1914 Part Four: Representing suffrage Chapter Nine: Joseph McBrinn, The spectacle of masculinity: Men and the visual culture of the suffrage campaign Chapter Ten: Janice Helland, An Irish harp and sleeping beauty: The politics of suffrage in the textile art of Una Taylor and Ann Macbeth Chapter Eleven: Chloe Ward, Images of empathy: Representations of force feeding in Votes for Women
Copyright Date
2020
Target Audience
College Audience
Topic
Women, Feminism & Feminist Theory, General, History / Modern (Late 19th Century to 1945)
Dewey Decimal
324.623094109041
Dewey Edition
23
Illustrated
Yes
Genre
Design, Art, History, Social Science
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