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Singing Early Music: The Pronunciation of Europ, McGee..
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PublishedOn
2004-08-25
Title
Singing Early Music: The Pronunciation of European Languages in
ISBN
9780253210265
EAN
9780253210265
Publication Name
Singing Early Music : The Pronunciation of European Languages in the Late Middle Ages and Renaissance
Item Length
10in
Publisher
Indiana University Press
Publication Year
2004
Series
Music Scholarship and Performance Ser.
Type
Language Course
Format
Trade Paperback
Language
English
Item Height
0.6in
Author
Timothy J. Mcgee
Item Width
7in
Item Weight
22.7 Oz
Number of Pages
320 Pages

Über dieses Produkt

Product Information

Praise for the cloth edition: "Commendable in its scholarship... should prove of interest to linguists, medievalists, and Renaissance academicians, as well as to fastidious performers of early music." --Choice "Singing Early Music is a pioneering work of surpassing quality that cannot be too highly recommended." --Journal of Singing "Addresses the needs of the performer directly, giving historical pronunciations for a range of languages and] sample texts.... The CD that comes with the book will prove invaluable.... David Klausner's recording is admirably consistent and convincing across the wide range of languages." --Early Music

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253210267
ISBN-13
9780253210265
eBay Product ID (ePID)
2053890

Product Key Features

Author
Timothy J. Mcgee
Publication Name
Singing Early Music : The Pronunciation of European Languages in the Late Middle Ages and Renaissance
Format
Trade Paperback
Language
English
Publication Year
2004
Series
Music Scholarship and Performance Ser.
Type
Language Course
Number of Pages
320 Pages

Dimensions

Item Length
10in
Item Height
0.6in
Item Width
7in
Item Weight
22.7 Oz

Additional Product Features

Lc Classification Number
Mt883.S56 2004
Grade from
College Graduate Student
Reviews
Addresses the needs of the performer directly, giving historical pronunciations for a range of languages [and] sample texts. ... The CD that comes with the book will prove invaluable. ... David Klausner's recording is admirably consistent and convincing across the wide range of languages., ". . . it certainly belongs in every institutional library and among the holdings of all those interested in any way in early music and literature.Singing Early Musicis a pioneering work of surpassing quality that can not be too highly recommended." Journal of Singing"Commendable in its scholarship, this sturdily bound book should prove of interest to linguists, medievalists, and Renaissance academicians, as well as to fastidious performers of early music." Choice"This book . . . addresses the needs of the performer directly, giving historical pronunciation for a range of languages, sample texts, and just enough explanation of how we know. . . " Early Music". . . required study for any musician venturing seriously into the performance of early Western European vocal music." Notes"I highly recommend this book for singers and teachers of early music eager to add an extra dimension to their singing." European Journal of Early Music, ". . . it certainly belongs in every institutional library and among the holdings of all those interested in any way in early music and literature. Singing Early Music is a pioneering work of surpassing quality that can not be too highly recommended." Journal of Singing "Commendable in its scholarship, this sturdily bound book should prove of interest to linguists, medievalists, and Renaissance academicians, as well as to fastidious performers of early music." Choice "This book . . . addresses the needs of the performer directly, giving historical pronunciation for a range of languages, sample texts, and just enough explanation of how we know. . . " Early Music ". . . required study for any musician venturing seriously into the performance of early Western European vocal music." Notes "I highly recommend this book for singers and teachers of early music eager to add an extra dimension to their singing." European Journal of Early Music
Table of Content
Preface Acknowledgments How to Use This Guide Common Abbreviations 1. Introduction Phonetics, David N. Klausner Overview of European Languages, A. G. Rigg Latin, A. G. Rigg Britain 2. English, David N. Klausner Diachronic Sound Chart Sample Texts 3. Sixteenth-Century Scots, David N. Klausner Sample Texts 4. Anglo-Latin, A. G. Rigg Diachronic Sound Chart Sample Texts France 5. Old French, Robert Taylor Diachronic Sound Chart Picard Sounds (Typical Picard Sounds) Sample Texts 6. French Latin, Harold Copeman Diachronic Sound Chart Sample Texts 7. Occitan, Robert Taylor Sample Texts Iberian Peninsula 8. Catalan, Beata FitzPatrick Diachronic Sound Chart Sample Texts 9. Spanish (Castilian), James F. Burke Diachronic Sound Chart Sample Texts 10. Spanish Latin, Harold Copeman Sample Texts 11. Galician-Portuguese, Joseph T. Snow and James Burke Diachronic Sound Chart Sample Texts 12. Portuguese Latin, Harold Copeman Sample Texts Italy 13. Italian, Gianrenzo Clivio Sample Texts 14. Italian Latin, harold Copeman Sample Texts Germany and the Low Countries 15. Middle High German, Peter Frenzel Sample Texts 16. Late Medieval German and Early New High German, Peter Frenzel Diachronic Sound Chart Sample Texts 17. German Latin, Harold Copeman and Vera U. G. Scherr Sample Texts 18. Flemish (Dutch), William Z. Shetter Sample Texts 19. Netherlands Latin, harold Copeman Sample Texts Glossary Index to Compact Disk Contributors Phonetic Chart, David N. Klausner
Copyright Date
2004
Topic
Instruction & Study / Voice, Romance Languages (Other), General, German
Dewey Decimal
783/.043
Intended Audience
Scholarly & Professional
Dewey Edition
20
Illustrated
Yes
Genre
Foreign Language Study, Music, Language Arts & Disciplines

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